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in Historical Research· Research· World War I· Writing Life

WWI: The National Gallery of Art

National Gallery of Art, London, 1914 visit, Pankhurts, John Ruskin, Mystic nativity, Rembrant, Leonardo da Vinci cartoon, historical research

English: The National Gallery, London Magyar: National Gallery, London (Photo credit: Wikipedia)

In 2014, I spent a good part of a day at London’s National Gallery of Art.

In my mind, and in cyberspace, looking at photos and paintings, hunting information and trying to peel back what happened there in World War I.

A rewrite of one of my chapters prompted a visit and while I, personally, have been to the art gallery four times, I needed to know what my heroine would see in 1914.

As in, was the museum even open?

The release that year of George Clooney’s Monuments Men and Cara Putnam’s Shadowed by Grace, brought the art stories of World War II into the consciousness of movie-goers and readers.

The stories of Nazi looting and efforts to find and save great works of art is a thrilling drama of passion and war.

Google will tell you all about it, no matter how many “I”s you put after World War!

World War I and the museum

But what about World War I, when the airplane wasn’t capable of bombing a large building across the English Channel? Were the British worried about their treasures?

They were concerned about terrorists.

Homegrown ones.

According to Wikipedia, at the National Gallery on March 10, 1914 (five months before war was declared):

National Gallery of Art, London, 1914 visit, Pankhurts, John Ruskin, Mystic nativity, Rembrant, Leonardo da Vinci cartoon, historical research

Emma Pankhurst in jail

“The Rokeby Venus was damaged  by Mary Richardson, a campaigner for women’s suffrage, in protest against the arrest of Emmeline Pankhurst the previous day. Later that month another suffragette attacked five Bellinis, causing the Gallery to close until the start of the First World War, when the Women’s Social and Political Union called for an end to violent acts drawing attention to their plight.”

Did you catch that? They closed the museum against the threat of domestic terrorism by suffragettes, but opened it again at the start of the war.

British officials obviously knew who could do real damage to their fine works of art!

Zeppelins did eventually cross the English Channel and do damage to London, including a bombing that happened not far from the National Gallery of Art.

It’s important to remember the King of England was first cousin to the Kaiser of Germany, and the Kaiser directed his zeppelins to be careful about what they bombed. Apparently, the National Gallery was not worried.

That allowed me to set a scene early in my novel at the National Gallery of Art, after they walked past the statute of Lord Nelson on top of the very tall column in Trafalgar Square and past the four enormous bronze lions I like so very much!

The next problem became, what paintings would my heroine have seen? Click to Tweet

I had to find items that pertained to issues in my novel, as well as paintings that actually were in the museum at that time.

I’ve always loved the Leonardo daVinci cartoon, for example. I once sat on a bench and nursed a baby while admiring it. The theme was perfect!

Vut the London museum purchased the cartoon in 1964.

Never mind.

How about Rembrant? He’s always a favorite.

Unfortunately, the musuem also purchased the perfect painting useful for the story after World War II.

The Mystic Nativity

National Gallery of Art, London, 1914 visit, Pankhurts, John Ruskin, Mystic nativity, Rembrant, Leonardo da Vinci cartoon, historical research

What a riot of angels on the roof in The Mystic Nativity!

As I tell my children, there’s always a nativity painting in an art museum. I found a Boticelli that served my purposes beautifully: The Mystic Nativity.

Purchased in 1846, thank you very much!

The painting was important for my story because writer and artist John Ruskin named it.

One of my characters admired Ruskin and having this painting gave the story added depth. Amazing what Wikipedia will help you with!

Baedekker’s London and its Environs provided additional information about what would be in the gallery. The only edition I could find online was from 1900, but anything there then, would have remained fourteen years later!

(See the advantage of using travel guides here.)

My heroine and her companions continued through the gallery and admired paintings by Turner–landscapes like those sketched by one of the characters.

They also stopped in front of The Arnofili Marriage, which gave them an opportunity to admire illusion as created in the fifteenth century. They got so caught up in their discussions, they lost track of time and needed to run back to work.

I also enjoyed their discussion, and finished my day’s writing just in time to go to a work event myself:  painting.

It was the perfect ending for the day!

National Gallery of Art, London, 1914 visit, Pankhurts, John Ruskin, Mystic nativity, Rembrant, Leonardo da Vinci cartoon, historical research

If you’ve added art into a book you’ve written, how do you do it? Do you describe it in detail, or include it on your Pinterest board?

If you’ve read about art in a book, do you try to picture it, or do you google and search?

Have you ever had a painting inspire your imagination while reading a book?

Tweetables

Were the British worried about National Gallery of Art treasures during WWI? Click to Tweet

Which was more dangerous? A suffragette or a Zeppelin? Click to Tweet

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Filed Under: Historical Research, Research, World War I, Writing Life Tagged With: Baedekker's London and its Environs, Emmeline Pankhurst, National Art Gallery, National Gallery, Rokeby Venus, Trafalgar Square, World War I

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Michelle Ule

Michelle Ule is a bestselling author of historical novellas, an essayist, blogger and the biographer of Mrs. Oswald Chambers: The Woman Behind the World's Bestselling Devotional.

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